In the old days, when you wanted a picture of something fast, you used a Polaroid camera. Anything from cheesy to cheesecake, Polaroid could capture it if you had about 60 seconds to wait. Just focus and push the button, and the whirring gears would spit out a newly developing picture just like a baby without an umbilical cord. And like a proud parent, you'd put the picture in a warm folding metal blanket, or under your armpit, which ever seemed more appropriate at the time, to insure uniform development of the image. Then you'd show it around and everyone would have a grand time. But after a couple dozen shots someone figured out that you just spent enough money for a utility bill, and the fun was over. Now, Polaroids are relegated to the realm of the artist or the nostalgist. Or homicide squad. But with the increased use of laptops in the field even homicide detectives are getting digital prints at the scene these days.
The prints here were taken with a Polaroid Spectra camera on Spectra film. Most artists use SX-70 film for manipulation, but since I don't have any SX-70 film, and it's getting harder and harder to find, I had to settle for something different. Spectra film does not lend itself as well to manipulation. And by manipulation I mean using sundry items to rub, push, poke, mash and smash the emulsion layers beneath the clear plastic sheet covering the picture. I've used spoons, and wooden and plastic sticks to manipulate the film. But the best tools I've found are my old anatomy dissection tools. They're blunt, multi-shaped, and made of stainless steel. I've separated many bones, ligaments, tissues and tendons with these fine instruments; and now they've found new life manipulating Polaroids. Who'd a thunk it?
The prints here were taken with a Polaroid Spectra camera on Spectra film. Most artists use SX-70 film for manipulation, but since I don't have any SX-70 film, and it's getting harder and harder to find, I had to settle for something different. Spectra film does not lend itself as well to manipulation. And by manipulation I mean using sundry items to rub, push, poke, mash and smash the emulsion layers beneath the clear plastic sheet covering the picture. I've used spoons, and wooden and plastic sticks to manipulate the film. But the best tools I've found are my old anatomy dissection tools. They're blunt, multi-shaped, and made of stainless steel. I've separated many bones, ligaments, tissues and tendons with these fine instruments; and now they've found new life manipulating Polaroids. Who'd a thunk it?
Hey Dad. I like reading your articles on photography. I'm sorry if I haven't said much about them before. You should put some more pictures up. I promise I'll do the same.
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